Damphu (Tamang Selo) – Instrument played by Tamang Community.

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DAMPHU - FOLK MUSICAL DRUM

Music is a universal language that ties all the people together and has the ability to make us upbeat and re-stimulate our brain, body, and soul and brings harmony. This is the reason why people all around the globe love to tune in to and even play music. Music is a lovely solid which is a blend of tunes and congruity and which mitigates you. Music may likewise allude to the craft of forming such wonderful sounds with the assistance of the different instruments. It plays an important role in Nepalese (Gorkha) community as music is inescapable in Nepalese (Gorkha) culture. Talking about the music and the musical instrument, Nepalese (Gorkha) are rich in cultural diversity as they celebrate many festivals. Due to the different Ethnic groups present in the Himalayan region, it has its own way of expressing different traditional folk music and playing various traditional folk instruments. Not only the song plays an important part in the Nepalese culture but also traditional instruments have their own charm and harmony. As talking about the traditional musical folk instrument Damphu is one of the ancient and popular traditional musical folk instrument which is played widely in the Himalayan region by the ethnic tribe Tamang.

Traditional Folk Drum
Traditional Folk Musical Drum


Damphu (डम्फु): Damphu is a percussion instrument that somewhat resembles a huge tambourine. It is believed that this traditional musical instrument is used by the Tamang individuals to play the Tamang Selo music. Tamang Selo, performed by the Tamang community, is not only entertaining but also has a religious appeal. Tamang Selo dance is incomplete without the beats of the Damphu. This instrument symbolizes the culture and tradition of Tamang culture. As per old stories, Damphu was concocted by Peng Dorje a Tamang King and named it after Nepal's national winged animal the Daphne fowl. The Damphu and Tungna are the primary instruments of the Tamang individuals and these two instruments are supposed to be the 'nail and tissue' on a finger. Numerous accounts exist in the Tamang people group about how the drum was first made and turned into a backup to Tamang melodies. It is said Peng Dorje once executed an especially excellent deer which profoundly disheartened his loving wife and was in tears so and Peng Dorje chose to brighten her up. He made the drum utilizing the deer's delightful skin. To begin with, he bought a portion of wood and made a circle. At that point he fixed the dried deerskin on one side of the circle, utilizing 32 bamboo sticks called phurba. The circle made resonant sounds, trak dhin. He began to sing, recollecting his predecessors and divine beings with the beat of that new-conceived instrument. The story goes that all animals danced after hearing the melodious music generated by the Damphu, as did his wife. A fowl, the bird "Danphe", was likewise moving to the tune. So Peng Dorje named the circle drum, "Damphu". At this point in time, the instrument became a part of Tamang culture and tradition. Tamangs play on the Damphu on the occasion of worship and prayer and during exhibitions and festivities and resembles a bodhrán, a solitary-sided round edge drum embellished with images or left plain. It can have a little stick 4 to 6 inches since quite a while ago joined to the instrument body or played just with the hands. This stick is made of a slim bit of bamboo and the skin is fixed and held set up by 32 bamboo pegs. These 32 pegs speak to the Buddha and Bodhisattvas or Buddha's 32 physical symbols (lakshanas). Sometimes it has a versatile metal or wooden winged creature appended speaking to the legendary eponymous fledgling. The Damphu isn't to be mistaken for a comparative drum, the Dhyāngro having jingles, which is utilized only in custom by Nepali shamans. The Dhyāngro is a twofold-sided circle molded drum finished off with a calfskin having a long wooden handle. Dhyāngro is utilized for strict and custom work as it were. As a customary society instrument, the antiquated Damphu is well known. Alongside the first cadence of Tamang Selo music, it has a significant impact on Nepalese culture. It is anything but difficult to learn and simple to play. Tamba artists present Tamang chronicled and ceremonial melodies with the Damphu. Tamang individuals use Damphu in each occasion, for example, weddings, burial services, uncommon events, ceremonies, and celebrations where significantly, they express satisfaction, pity, recall progenitors and tell their history through melodies joined by the Damphu.


Types of Damphu:  Damphu is generally of two types (i) A regular Damphu and (ii) A Bird-shaped Damphu. A regular Damphu generally comes with a small bamboo stick to keep rhythm, while on the other hand the bird-shaped Damphu an extra wooden bird carved with artisanship is attached.


How is Damphu Played:  Damphu is quite simple to play as it expresses simple rhythms like the catasra (4/4) beat and the second and third strikes are made with four fingers of the right hand in a straightway. On the other hand, both the suspension and intensity of the first strike are comparatively higher. A long stick is used to generate the sound. On striking a Damphu the leather membrane vibrates, alternately compressing and releasing air and this constant vibration generates a deep-toned sound.

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